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Art Guide Australia Magazine March/April 2011
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Digital Nature Photography is a how-to guide for photographers who want to take their work to the next level. Written by professionals with over 20 years experience, the Gerlachs reveal enlightening techniques for shooting nature images in the field. The combination of artistic approach and impeccable technique will help you capture your next great image.
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The Art of Deception by Kevin Mitnick
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Social Engineering: The Art of Human Hacking
The first book to reveal and dissect the technical aspect of many social engineering maneuvers
From elicitation, pretexting, influence and manipulation all aspects of social engineering are picked apart, discussed and explained by using real world examples, personal experience and the science behind them to unraveled the mystery in social engineering.
Kevin Mitnick�one of the most famous social engineers in the world�popularized the term �social engineering.� He explained that it is much easier to trick someone into revealing a password for a system than to exert the effort of hacking into the system. Mitnick claims that this social engineering tactic was the single-most effective method in his arsenal. This indispensable book examines a variety of maneuvers that are aimed at deceiving unsuspecting victims, while it also addresses ways to prevent social engineering threats.
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Social Engineering: The Art of Human Hacking does its part to prepare you against nefarious hackers�now you can do your part by putting to good use the critical information within its pages.
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Assembly is a low-level programming language that�s one step above a computer�s native machine language. Although assembly language is commonly used for writing device drivers, emulators, and video games, many programmers find its somewhat unfriendly syntax intimidating to learn and use.
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Beauty And Art 1750�2000
What do we mean when we call a work of art beautiful? How do perceptions of beauty change with the passage of time? This title explores the vital relationship between our changing notions of beauty and specific works of art. It charts the story of western art, from 18th century Germany to the late 20th century.What do we mean when we call a work of art "beautiful"? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Elizabeth Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler
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